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「科技進步-版畫定位探索.A New Vision of Printmaking」

時間|

7/24(一)14:00-17:00

地點|

高雄師範大學活動中心二樓演講廳


講者|

克利斯.韋恩萊特 Chris Wainwright


主持人|

曲德益/台北藝術大學美術學院院長

楊明迭/高雄師範大學美術系系主任


與談藝術家|

黃郁生/台南應用科技大學版印中心主任

黃建宏/高雄師範大學跨領域研究所所長

洪明爵/臺南大學視覺藝術與設計學系副教授

克利斯.韋恩萊特 Chris Wainwright

艾蓮娜.布朗奇.岡薩雷茲 Elena Blanch González

國外藝術家介紹|


 

克利斯.韋恩萊特

Chris Wainwright

www.chriswainwright.com

 

克利斯.韋恩萊特是位藝術家兼策展人,他的藝術創作主要在於環境攝影及表演。近期曾舉辦的個展包括:2016年在東京日本橋現代藝術中心舉辦的〈眾人皆繁星〉、2015年在台北當代美術館展出的〈最初與最終〉、2014年於斯德哥爾摩的攝影美術館展出〈啟程點〉,以及2013年於倫敦大和基金會展出〈錯誤之書〉。近期參與的聯展有:2017年北京今日美術館〈藝術航海-須有作為〉和墨爾本皇家理工大學美術館〈海洋假想〉、2015年北京成藝術的〈攝影證據的星叢〉(參展藝術家兼策展人),以及2013年台北關渡美術館〈暗潮淘湧〉(參展藝術家兼策展人)。

 

他近期為英國法韋爾角基金會策畫了一項名為〈直面—對全球氣候變化的文化回應〉的國際大型巡迴展,共有23名藝術家針對全球氣候變遷問題進行創作。這項展覽在2009年到2013年間巡迴了維也納、倫敦、新堡、紐林、利物浦、芝加哥、紐約、和北京。他的作品被許多重要的機構收藏,例如倫敦的維多利亞與亞伯特博物館、英格蘭藝術委員會、巴黎的國家圖書館、美國波士頓的寶麗萊公司、倫敦的聯合利華等。他曾任英國泰特不列顛美術館理事,目前是倫敦藝術大學教授兼美術系主任,同時也是北京今日美術館理事。

 

Chris Wainwright is an artist and curator whose interests are based in environmental photography and performance. His recent solo exhibitions include: “We Are All Stars”, Nihonbashi Institute of Contemporary Art, Tokyo, Japan, 2016; “First and Last”, Museum of Contemporary Art, Taipei, Taiwan, 2015; “Points of Departure”, Fotografins Huis, Stockholm, Sweden, 2014; and “A Catalogue of Errors”, Daiwa Foundation, London, 2013. His recent group shows include: “What Has To Be Done” (artist and curator), Today Art Museum, Beijing, China, 2017; “Ocean Imaginaries”, RMIT Gallery, Melbourne, Australia, 2017; “A Small Constellation of Photographic Evidence” (artist and curator), Chang Art, 798 District, Beijing, China, 2015; “Troubled Waters” (artist and curator), Kuandu Museum of Fine Arts, Taipei, Taiwan, 2013.

 

He recently co curated a major international touring exhibition for Cape Farewell called ‘U-n-f-o-l-d’ that profiled the work of 23 artists addressing climate change. The exhibition was shown in Vienna, London, Newcastle, Newlyn, Liverpool, Chicago, New York and Beijing between 2009 and 2013. His work is held in many major collections including the Victoria and Albert Museum, London. The Arts Council of England: Bibliotheque Nationale, Paris. The Polaroid Corporation, Boston, USA, and Unilever, he is previously a member of The Tate Britain Council, London and is currently Professor and Chair of Fine Art at the University of the Arts London and a member of the Board of Directors of the Today Art Museum, Beijing.


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Elena Blanch González

艾蓮娜‧布朗奇‧岡薩雷茲

www.esculturasblanch.es

艾蓮娜‧布朗奇‧岡薩雷茲1960年出生於巴塞隆納,目前定居於馬德理。布朗奇擁有網際網路教學應用碩士以及藝術與雕塑博士學位,她曾擔任馬德里康普頓斯大學雕塑系主任,現為該校美術學院院長。自1985年起,她擔任繪畫、雕塑和藝術技巧的教授。在教學方面,布朗奇專注於新媒材研究以及如何將新科技運用於藝術創作和教學。此外,她也是「藝術、科學和自然」研究小組成員之一,此小組由不同學門教授所組成,旨在透過不同藝術語言研究科學與人文學科間之關係,以增進科學和人文知識。

 

布朗奇曾出版多本有關雕塑的著作,例如:《雕塑語言的基本概念》、《雕塑的步驟及材料》等。她也曾出版關於藝術與不同學門的著作,如《透過城市圖像了解神話:從西貝萊斯廣場到雷提洛公園》、《空中繪圖》、《解讀巴爾塔薩‧羅伯的雕塑》以及《歐元出現後貨幣歐洲之神話》。此外,她也著有多本教科書,如《雕塑入門:主題的信息化評量》和《獎牌:主題的信息化評量》。布朗奇致力於教學、管理和藝術創作,她曾獲得各式獎項,亦曾多次舉辦個展並積極參與聯展。
 

Elena Blanch González was born in Barcelona in 1960, currently lives in Madrid. She completed her master degree in Internet and its Applications in Teaching, and received her PhD in Fine Arts and Sculpture from Complutense University of Madrid (CUM). Blanch was Director of the Department of Sculpture and is currently Dean of the Faculty of Fine Arts, CUM. She is professor of drawing, sculpture and artistic techniques since 1985. She concentrates her teaching career with the study of new materials and the use of new technologies in the practice and teaching of art. She is also a member of an investigation group named “Art, Science and Nature”, formed by professors from different disciplines that study the connections between science and the humanities through different artistic languages, and whose aim is to improve the knowledge of both.

 

Blanch has published diverse books about schulture: Fundamental Concepts of the Language of Sculpture, Procedures and Materials in the Sculpture Work, amongst others; and the relations between art and different disciplines: Coming Closer to Myths through Urban Iconography: from Cibeles to El Retiro, Drawing in the Air, Une approche du sculpteur Baltasar Lobo and The Mythologisation of the Homeland in Numismatic Europe since the Creation of the Euro. She has also completed numerous textbooks, such as Introduction of Sculpture: Informatized Evaluation of the Subject and Medals: Informatised Evaluation of the Subject. Combining her teaching and management career with the creation of artistic works, she also obtained various prizes and has participated in numerous exhibitions, both individual and collective.